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07-12-2020 07:44 AM
2:00 p.m. Eastern-- The Fugitive "The Homecoming" David Janssen, Shirley Knight, Gloria Grahame, Richard Carlson, Warren Vanders, Mary Jackson, Walter Woolf King
Kimble now has an interesting research position with a Southern "gentleman farmer" (Richard Carlson) and peanut grower. Carlson's emotionally wounded daughter (Shirley Knight) is returning home from a lengthy stay at a psychiatric institution, only to discover that in her absence her widowed father has remarried.
I don't want to give too much away of the classically "southern gothic" plot until all have seen it, so let's discuss the players a little bit! By the time "The Fugitive" was made, the career of the immensely successful film actress Gloria Grahame had faltered. Observers have attributed this to two main factors-- the huge scandal around her stepson, and her troubled personality and insecurity.
Reams have been written about Grahame's alleged abuse of her 13 year old stepson Tony Ray (the son of director ex-husband Nicholas Ray.) It's striking that in earlier accounts of it, it appears to be minimized as, unbelievably, an "affair" -- as if a 13 year old can give consent. Of late, principally in the memoir of her later years, written by British actor Peter Turner, he has disputed that that alleged abuse actually occurred. Nevertheless, Grahame later married her stepson after he achieved adulthood, which did affect how she was perceived, along with other factors.
It would have been ultra fascinating to be an observer of the "behind-the-scenes" in this particular "Fuge" episode. Richard Carlson ("It Came from Outer Space", "All I Desire" with Stanwyck, and cult classic "The Creature from the Black Lagoon"), brought his own history as both a leading man and stalwart character player, in both film noir and science fiction. He also wrote prolifically and directed.
Carlson's presence here allows me to-- once again-- comment about his resemblance to his contemporary, Hugh Marlowe ("All About Eve"). It is amusing to note that even in the Wiki bios of each actor, they note the resemblance too! I used to confuse them regularly. It's not just their physical resemblance-- they both have that memorable, distinctively "plummy" voice that is such an asset for an actor.
These side by side photos don't do justice to the closeness of their likeness-- you have to also see them acting, and hear those voices:
The young Shirley Knight is lovely as the sensitive, psychologically frail young woman whose life course sustains blow after blow, culminating in her father's misguided marriage. Her character brings out that almost tender, watchful caring for the vulnerable that we've seen in Kimble before. It's a pleasure to watch these two act together.
Whew, long-winded as usual. But this is a pretty packed, heavily freighted, episode. Can't wait to hear people's reactions to the show.
07-12-2020 11:16 AM
👏👏👏👏👏👏👏👏
07-12-2020 11:22 AM
07-12-2020 01:37 PM
Not "long-winded" at all, @Oznell -- you left me wanting more, so I'm off to set my DVR...
07-12-2020 01:40 PM
Can't wait till we get to the discussion of the flaws, @Pearlee -- I have only the fuzziest idea, but do remember being a bit confused by that aspect, if it has to do with what I think it does-- hoping seeing the episode again will clarify for me, plus your anticipated analysis!
Shirley Knight indeed has that 'dewy radiance' she had in her early career, in this. The lighting guy on "The Fugitive" was especially good, but even so, there are certain actresses on the show, like Knight, and Ruby Dee in the boxing episode, and Susan Oliver in the sailing episode, who seemed almost like they were 'lit from within'.
Goofy theory of mine from watching the show: Speaking of how DJ and Knight interacted-- they were excellent together. However, I used to think, mistakenly, that Janssen will have the very best chemistry with actors who have that "X" factor sensitivity, and almost "ethereal" quality that he also had.
But in my opinion, he has the most "combustible" chemistry with actresses whose strongest suit is NOT their sensitivity-- it's their 'earthiness', or their warm maternal quality, or even pragmatism... Like the Suzanne Pleshettes and the Angie Dickinsons. It's probably as simple as "opposites attract"!
07-12-2020 01:42 PM
07-12-2020 01:42 PM
Oh, great, @vsm -- it will be super to have your input if you care to give it after viewing!
07-12-2020 02:45 PM
@Pearlee wrote:
I've always thought Gloria Grahame is funny-looking; it's her mouth, there is something weird about it. Interesting incident about the stepson because she is a stepmother in this show! @Oznell like you I have mixed up Marlowe and Carlson before; it is indeed very hard to distinguish them.
Gloria Grahame also did not like her upper lip. She used to stuff it with cotton. Until some scenes it did not work. So she would have procedures done on her lip. Well, she had too many procedures done and it affected her nerves in her upper lip. They stopped working.
07-12-2020 05:56 PM
Wow, @drizzellla , it's very sad that she was so preoccupied with such things, isn't it. Somewhat reminiscent of what some performers go through today-- almost an occupational hazard for some...
07-12-2020 06:50 PM - edited 07-12-2020 06:51 PM
I don't remember Gloria Grahame. I remember Hugh Marlowe from watching Another World and Richard Carlson from those sci-fi movies. Shirley Knight I have seen in various TV shows.
My DVR is set.
@Pearlee - I remember Banlon shirts from the 60's.
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